Creative Quarter

A series of case studies exploring the role and effectiveness of the creative arts in supporting positive outcomes for people being supported by social services.

This series also includes Creative Bites (Bite-sized chunks of creativity). We invited 40 people to share their thoughts and ideas to inspire creativity and imagination in the social services.

Far Flung Dance

Far Flung Dance
Rhiana Laws, Inside Light, Far Flung Dance explores her unique delivery of Contemporary Dance Performance Projects for young men and women within Scottish prisons looking at professional and artistic practice and what is required to keep forging ahead as dance artists venturing into the prison system. She shares the principals of delivery, the change dance can instigate, how to keep the momentum going and a highlight some particular outcomes.

The sheet of possibility

I sat down today to write about goats, but that will have to wait for another time. Instead I got diverted into the power, and pull, of a blank page. As I sat musing about where to start, or how to frame my piece, I found myself procrastinating. If only procrastination were an Olympic sport, or a skill available for endorsement on LinkedIn, I feel my value in the world would be considerably richer than it currently is, but I digress.

Self determination

In my daily work, I research new models to support disabled people. I am passionate about the move towards choice and control for people with disabilities.

The relevance of design research for social services

I consider myself a bit of a magpie; a bit of a scavenger when it comes to research: I’m opportunistic, interdisciplinary and entrepreneurial.  My current design research projects are varied; one explores how digital technologies can help people engage with the arts, another is about using design to help the government procure better services, which I recently presented in Helsinki, and another is about the role design plays in innovation. A broad range of projects. All design research. So what’s the relevance of these kinds of projects to social services?

My thoughts so far:

Why the arts matter

I've always had a passion for the arts - whether it's music, visual art, or performance art. I’ve spent most of my career working in adult social care training and development. I've always said that being a trainer is a bit like being a writer and a performer and that the more you can entertain people when you are teaching the more they are likely to learn.

I’m in control, not the computer

man with computer

One aspect of my job is writing the code behind websites. It can be a hugely satisfying job but at the same time a very solitary one, struggling to solve a bug can sometimes take many hours and when solved there’s almost always no one who knows that you’ve been struggling.

One thing that helps me concentrate is listening to music. It’s not that I find the office too noisy or even that I’m easily distracted (which I am really). I just like good tunes.

Tayside Healthcare Arts Trust

Tayside Healthcare Arts Trust (THAT) believes in the power of the arts to enhance quality of life, to promote inclusion, to empower and to improve well being. THAT was established in 2002 to meet the demand for an agency to develop Arts in Health opportunities across Tayside and it now employs professional artists to deliver partnership programmes in both inpatient and community settings.

Tuning in: The social power of music

This session was delivered by Jane Bentley who specialises in the role of music making in social development.  Jane expertly led the group in a variety of practical exercises designed to highlight how music connects us together. Watch this clip to get a flavour of the key messages and activities from the day.

Impact Arts

building confidence, communication and teamwork skills

This Session introduced the Impact Arts creative pathways approach and delivery methods which build confidence, communication and teamwork skills. We reflected on how these processes could be applied in different settings.

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